Lilith

Lilith is a Hebrew–Latin type family in three weights — Regular, Medium and Bold — with full support for precise nikkud (vowel marks), ligatures and a rich set of stylistic figures (stars, circles, Hebrew and Roman numerals). The family takes its name from the mythological figure of the night, and carries with it a constant tension between seduction and darkness, between elegant refinement and a sharp, uncompromising presence. Lilith’s bilingual design grew out of an organic dialogue rather than a forced translation. The two alphabets share a stable skeleton and classical proportions, alongside a distinct treatment of the details. The Hebrew keeps a natural, flowing movement that recalls traditional calligraphic roots, yet is tightened by a modern, contemporary geometry. The angled strokes, sculpted terminals and carefully judged contrast between thick and thin give the letters dramatic volume and a sense of mystery — one that catches the eye both at tiny sizes and in giant headlines. The Latin answers the Hebrew rhythm directly, with sharp, distinct serifs, elegant strokes and a dynamic flow in the lowercase. The meeting of honed angles and soft curves in the Latin echoes the tension that defines the Hebrew letter, and ensures a unified, balanced and harmonious look in bilingual texts. Lilith was born for bold headlines, book covers, identity branding and display signage, but in its lighter weights it also holds up in paragraphs of reading text and running copy that calls for depth, character and an unforgettable presence.